This highly regarded series of solitaire titles began in 2008 with the publication of the original version of Field Commander Rommel. Field Commander Alexander was released the following year, and then Field Commander Napoleon in 2011. The most recent title, Fleet Commander Nimitz, was published at the end of 2014.
by Harvey Mossman
Approximately one year ago I umpired a game of Flight of the Eagle over the Internet. It was a very interesting experience, both for me as the umpire and for the players who had to deal with true fog of war and 19th-century limitations on communications. You can peruse my game review and a follow-up article which is a narrative of the campaign. But I will dedicate this article to the lessons learned being an umpire for Flight of the Eagle.
Paul Comben
Well, here we are with the stock-in-trade of the hobby – whatever else has been designed, and wherever else it took us, you cannot think of the hobby without the Eastern Front in World War Two. From small unit actions, where the brutal simplicity of combat, mano-a-mano, is conveyed in rules that can break your foot if you drop them, to grand operational and strategic designs that come with everything save a yellow briefcase, the hobby has done it every which way for decades.
Designer: Richard J. Kane Sr. and J. Michael Ruttle
Publisher: Clash of Arms Games
by Harvey Mossman
I doubt there is a respectable wargamer who hasn’t thought what it would be like to wear the uniform and march proudly in the ranks of the Grande Armee, following your esteemed general, Napoleon Bonaparte into glorious battle? Well now Legion of Honor, the eagerly awaited game from Clash of Arms, allows you to don your shako and live the life of a Napoleonic Grognard. Where else can you re-create “the life and times of a soldier in the Army of France under the Republican Empire of Napoleon with each player assuming the role of a young Grognard of boundless ambition but meager means.” The game tries to capture an era when war still had an extraordinary yet brutal pageantry, where the individual soldier still believed in Glory, Honor and the chance to gain Notice from their beloved general.
By Paul Comben
Let’s face it, some of us have had more than forty years of marching down the Chambersburg Pike, and we have all done it with great games, fair games…and the occasional piece of absolute rot. We have sought to take the high ground, defend the high ground, move around the high ground (if the map would let us), and fight out the great turning point of the Civil War with systems as variable as the holiday road works on the English M6.
How many Gettysburg games have there been since the late Fifties? God knows. What I am more certain of, however, is that plenty of us have played plenty of them; and like London buses, if you missed the last one, there will be another along in a minute – even if it is going somewhere you would rather not. I cannot think of London without the buses, and I cannot think of the hobby without the Gettysburg games. So here is a run through of all the Gettysburg titles I have ever played; a celebration of a lifetime spent rolling the dice, losing Lee under something, and not understanding what any given rule actually meant.
And with that, I start in 1972… with something from 1964.
By Paul Comben
It is far from unusual within the broad church of board wargaming to find designs based upon the use of wooden blocks. Columbia has dedicated itself to this approach for decades; and recently, alongside the occasional contribution from the likes of GMT, we have had the stunning visual effects of the VentoNuovo “Blocks” series – though, for my taste, the colour has run a little too extravagantly in the case of those designs. And then there are all those C&C offerings; but while there is an awful lot of timber included, they are not really part of this family in any real sense – they may walk the walk just a bit, but when they talk, it is another entirely separate language they go battling off into.
Whatever their subject matter, games that do belong to what we usually associate with the wooden block approach tend to share a range of common mechanisms – each block’s informational sticker gets rotated to show losses; there is often a measure of quality (usually a letter) to show who gets to fight first; and there is a number to indicate how many dice are tossed into the maelstrom of combat. Of course, some games are markedly more complex than others, but there has certainly been a carry-over of mechanical approach, and why not, when it has worked so well for a markedly long time.
But where does the work of Rachel (formerly Bowen) Simmons fit into the scheme of things? In her three games, Bonaparte at Marengo, Napoleon’s Triumph and The Guns of Gettysburg, yes, there are indeed blocks, and there are representative values of strength on one side of these blocks only; and like not a few other members of the family, the maps are divided into areas – but in this case it all adds up to a very different way of working, predicated on an entirely different ethos. For a start, whereas the vast majority of other block games will have you rolling multiples of dice at every turn, there are no dice in any of Simmons’ designs. Random chance, in terms of rolling your way to victory or defeat, does not exist in these three battle worlds – chance comes solely in the form of what the players do and what they think their opponents are doing…essentially, in the worst cases, being fooled, being foolish, or fooling yourself. What these games are not is an intense look at tactical evolutions on early to mid-Nineteenth Century battlefields. You are not forming square or sending the skirmishers out; those things may be considered within the system as “assumed.” What you are doing is deploying force, threatening the use of force, hoping to bluff your opponent into committing to the wrong deployment, and then folding up his/her disjointed position like a wet piece of cardboard.
And, for the most part, it is utterly brilliant.
By Paul Comben
Let me begin by telling you about this extension kit I came up with many years ago. I was just a lad, but a lad with ambitions to turn my copy of Stalingrad into something that time-wise, went beyond spring 1943, and territory-wise, extended all the way to Berlin and Vienna. To achieve this, I drew a map on a bit of card, putting in the cities, the rivers, and the mountains – and because I had no way of drawing a hex grid, I did squares (of sorts); and when I had finished, after some time of trying to put everything where it was meant to go, it looked absolutely horrible… I mean, hideous to the point of travesty. But I was thirteen, and I did not care; I wanted my Berlin map, I wanted the drama of experiencing the death throes of the Third Reich; and just because all I had was a bit of card that was only slightly better marked out than a Viking’s idea of what Australia looked like, I saw no reason to deny myself the pleasure.
By Paul Comben
Even as American troops were still fighting to maintain their foothold on the east bank of the Rhine at Remagen, several hundred miles to the east, Josef Goebbels was touring portions of the German front along the Oder/Neisse line. Newsreel cameras followed him, ready to capture moments of steely defiance and resolve for the benefit of those audiences watching Der Deutsche Wochenschau. Goebbels tarried in the town of Lauban, recently recaptured from the Soviets. In the square, he addressed soldiers from the Lauban battle, including a diminutive sixteen year-old Willi Hubner. Hubner would survive the war and find himself being interviewed for various documentaries decades later. As for Goebbels, after greeting the new martial favourite of the Reich, Ferdinand Schörner, he moved on to Gorlitz, where he rallied the faithful in the last sizeable Nazi rally of the war.
By Mitchell Freedman
A personal reflection on the relationship between gaming rules, reality and the ties that bind them together.
There I was, hiding inside a church on the Setauket green, my British troops – the 3rd battalion of DeLancey’s Brigade – surrounded on all sides by angry colonists and their artillery.
Only a few turns ago, there were more men in the church with me. But, two units had been cut down by wave after wave of fire from the local militia and the Colonial regulars, such as they were.
by Paul Comben
There is an issue with naval board wargames that really does not apply to many other areas of the hobby. You can have some big beast of a Gettysburg game, or of Waterloo, or of Borodino; you can advance through the steppes of 1941 Russia with dozens of divisions; return to Cannae or Gaugamela with arms stretching to reach the extremities of your paper battlefield, but you might still have less administrative hassle, drag on gameplay, and threat of that precious weekend coming to a close far too quickly, than if you embark on grey seas to fight battles with the floating custodians of great matter and moment.
